Provenance: Schelling Points
Sources · Assets · Music · Notes
Sources
- 0:35-1:13, 5:51-6:06 Cicero, On Duties, trans. Walter Miller, Loeb Classical Library 30 (William Heinemann; G. P. Putnam's Sons, 1913), 3.99-100.
- 1:00-1:09, 5:51-6:00 Horace, Odes 3.5.13-56.
- 1:33-1:53, 5:31-5:47 Homer, Odyssey 9.364-67, 9.399-414.
- 2:07-2:53, 5:19-5:30 Ben Macintyre, Operation Mincemeat: The True Spy Story That Changed the Course of World War II (Bloomsbury, 2010), chaps. 5-7, 16-19.
- 2:07-2:35 Ewen Montagu, The Man Who Never Was (Evans Brothers, 1953).
- 3:06-3:29, 5:04-5:13 Thomas C. Schelling, The Strategy of Conflict (Harvard University Press, 1960), 55-57.
- 3:06-3:10 Thomas C. Schelling, "Bargaining, Communication, and Limited War," Conflict Resolution 1, no. 1 (1957): 20-21, https://doi.org/10.1177/002200275700100104.
- 3:10-3:12 Thomas Schelling, interview by Aaron Steelman, Region Focus (Federal Reserve Bank of Richmond), Spring 2005, https://www.richmondfed.org/publications/research/econ_focus/2005/spring/full_interview.
- 3:42-4:10, 4:37-4:45 Paul Sylbert, Final Cut: The Making and Breaking of a Film (Seabury Press, 1974), 15, 21-25.
- 4:10-4:17 "A Brief History of the Olson House," Farnsworth Art Museum, accessed September 30, 2026, https://www.farnsworthmuseum.org/a-brief-history-of-the-olson-house/.
- 4:17-4:20 Liz Ronk, "Andrew Wyeth at 100 and the Story Behind His Most Famous Painting," Time, July 12, 2017, https://time.com/4840031/andrew-wyeth-at-100-and-the-story-behind-his-most-famous-painting/.
- 4:17-4:26 Henry Adams, "Wyeth's World," Smithsonian, June 2006, https://www.smithsonianmag.com/arts-culture/wyeths-world-117907877/.
- 4:17-4:26 Andrew Wyeth, "Andrew Wyeth: An Interview," interview by Richard Meryman, Life, May 14, 1965.
- 4:17-4:20 Leslie Landrigan, "Andrew Wyeth's First Date With Christina Olson and Her World," New England Historical Society, January 17, 2014, https://newenglandhistoricalsociety.com/andrew-wyeths-first-date-christina-olson/.
- 4:26-4:35 Andrew Wyeth, Christina's World, 1948, tempera on panel, Museum of Modern Art, New York, https://www.moma.org/collection/works/78455.
- 4:37-4:45 David Handelman, "The Steagle Saga, a/k/a 'How It Is Done to You,'" Hands On.... (blog), September 14, 2021, https://wittiebanter.blogspot.com/2021/09/the-steagle-saga-aka-how-it-is-done-to.html.
- 4:47-4:55 Shannon Mullen, "The Pilgrims Who Visit the House in Andrew Wyeth's 'Christina's World,'" New Yorker, May 8, 2019, https://www.newyorker.com/culture/culture-desk/the-pilgrims-who-visit-the-house-in-andrew-wyeths-christinas-world.
- 6:06-6:11, 6:22-6:31 Cicero, On Duties, trans. Walter Miller, Loeb Classical Library 30 (William Heinemann; G. P. Putnam's Sons, 1913), 3.104.
- 6:06-6:17 Encyclopaedia Britannica, s.v. "Fides," accessed September 30, 2026, https://www.britannica.com/topic/Fides.
- 6:06-6:17, 6:22-6:25 Sophie Madeleine and Philippe Fleury, "Le Capitole : la colline sacrée de Rome | Nocturne du Plan de Rome - 07/04/2021," CIREVE, Université de Caen Normandie, YouTube video, April 7, 2021, 46:31-51:57, https://www.youtube.com/watch?v=7CSjt8-0pSE.
- 6:06-6:17 Samuel Ball Platner and Thomas Ashby, A Topographical Dictionary of Ancient Rome (Oxford University Press, 1929), s.v. "Fides, aedes," https://penelope.uchicago.edu/Thayer/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/_Texts/PLATOP*/Aedes_Fidei.html.
- 6:12-6:17 Polybius, Histories 3.26.1.
Assets
- 0:00-0:09, 0:47-0:55 Universal Animation Library, Standard (Quaternius, CC0), https://quaternius.com/packs/universalanimationlibrary.html
- 0:25-0:29 Cinematic Riser 03 (DRAGON-STUDIO, Pixabay), https://pixabay.com/sound-effects/film-special-effects-cinematic-riser-03-414575/
- 0:30-0:47 Walk to dungeon (freesound_community, Pixabay), https://pixabay.com/sound-effects/film-special-effects-walk-to-dungeon-69897/
- 0:31-0:39 Andries Cornelis Lens, Regulus Returning to Carthage (1791, State Hermitage Museum), animated in-house, https://commons.wikimedia.org/wiki/File:Lens,_Cornelis_-_Regulus_Returning_to_Carthage_-_1791.jpg
- 0:33-0:47 Dungeon Air (freesound_community, Pixabay), https://pixabay.com/sound-effects/film-special-effects-dungeon-air-6983/
- 0:35-0:39, 1:23-1:26 woosh-muffled-000212_0029S3_D 057-062 069-100 025-032 (freesound_community, Pixabay), https://pixabay.com/sound-effects/film-special-effects-woosh-muffled-000212-0029s3-d-057-062-069-100-025-032-94855/
- 0:39-0:55, 5:59-6:04 Low-poly PSX Medieval Soldier (mujtaba-io, OpenGameArt, CC0), https://opengameart.org/content/low-poly-psx-style-medieval-soldier-rigged-animated
- 0:39-0:47 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Shadow of Rome prisoner, http://redump.org/disc/15055/
- 0:45-0:47 Sharp Riser (CreatorsHome, Pixabay), https://pixabay.com/sound-effects/film-special-effects-sharp-riser-327342/
- 0:47-0:55 "Rome" (Sketchfab model 0304c6618b984328a6829d474b6e87b4; licence unverified), https://sketchfab.com/3d-models/rome-0304c6618b984328a6829d474b6e87b4
- 0:47-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Shadow of Rome green landscape, http://redump.org/disc/15055/
- 0:47-0:55, 5:59-6:00 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Shadow of Rome sky and city horizon, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Marcus in crimson robe, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Roman legionary, bare-headed, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Roman legionary officer, posed, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Roman senator in toga, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Praetorian in dark armour, http://redump.org/disc/15055/
- 0:54-0:55 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Young tribune, http://redump.org/disc/15055/
- 0:55-0:56, 7:02-7:03 vhs_glitch.wav (source not identified), source not identified
- 0:55-0:56 STATIC WHITE NOISE.wav (source not identified), source not identified
- 0:56-1:01, 6:07-6:29 8mm_Salmon.mov, from Color Film Grain & Textures (Tropic Colour), https://tropiccolour.com/products/color-film-texture
- 0:56-1:16 16mm_Purple.mov, from Color Film Grain & Textures (Tropic Colour), https://tropiccolour.com/products/color-film-texture
- 0:57-0:58 Woosh Game Glitch 1 (AleXZavesa, Pixabay), https://pixabay.com/sound-effects/film-special-effects-woosh-game-glitch-1-463021/
- 0:57-0:59 Roman Soldier Sword (Jerryblessed, Pixabay), https://pixabay.com/sound-effects/film-special-effects-roman-soldier-sword-540335/
- 1:00-1:14 museum hall big echo +group (freesound_community, Pixabay), https://pixabay.com/sound-effects/people-museum-hall-big-echo-group-53095/
- 1:06-1:08, 5:57-6:04 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Shadow of Rome prisoner, canonical rig, T-pose, http://redump.org/disc/15055/
- 1:07-1:08 MOAN04.WAV (source not identified), source not identified
- 1:07-1:16 Applause (vvqne, Pixabay), https://pixabay.com/sound-effects/people-applause-383901/
- 1:08-1:16, 5:48-5:57 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Roman senator, canonical rig, T-pose, http://redump.org/disc/15055/
- 1:08-1:16, 5:48-5:57 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), Marcus addressing the senate, hand forward, http://redump.org/disc/15055/
- 1:12, 1:53 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), sound file story03_s017_09.wav, http://redump.org/disc/15055/
- 1:12-1:14, 1:15 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), sound file sys_lang_s026_14.wav, http://redump.org/disc/15055/
- 1:15-1:16, 5:56-5:59 Air Swoosh (Universfield, Pixabay), https://pixabay.com/sound-effects/film-special-effects-air-swoosh-352049/
- 1:16 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), sound file sys_lang_s026_16.wav, http://redump.org/disc/15055/
- 1:16-1:39 Shadow of Rome (Capcom, 2005, PlayStation 2, SLUS-20902), sound file sa000.wav, http://redump.org/disc/15055/
- 1:57-2:18 BIG THUNDER recorded in stereo with rain fall and lightning (freesound_community, Pixabay), https://pixabay.com/sound-effects/nature-big-thunder-recorded-in-stereo-with-rain-fall-and-lightning-67697/
- 1:58 Sentinels of Silence (Producciones Concord / Encyclopaedia Britannica Educational Corp., 1973), https://archive.org/details/sentinelsofsilence
- 1:58-2:03 Between the Wars: Versailles, the Lost Peace (Alan Landsburg Productions, 1978), https://archive.org/details/betweenthewarsversaillesthelostpeace
- 2:03-2:07 Hitler: The Road to Revenge (Nielsen-Ferns / Learning Corporation of America, 1978), https://archive.org/details/hitlertheroadtorevenge
- 2:07-2:11 World War II Invasion of Sicily: Key to Victory (Periscope Film archive), https://archive.org/details/78164SicilyKeyToVictory
- 2:11-2:14 Staff Film Report 66-12A (U.S. Department of Defense, 1966), https://archive.org/details/gov.dod.dimoc.26961
- 2:14-2:17 The Big Picture: Duty, Honor, Country (U.S. Army; National Archives), https://archive.org/details/gov.archives.arc.2569456
- 2:17-2:18 Cinematic Piano Hit (Universfield, Pixabay), https://pixabay.com/sound-effects/musical-cinematic-piano-hit-567216/
- 2:17-2:19 Food for Freedom, https://archive.org/details/FoodForFreedom
- 2:17-2:19, 2:59-3:04 Cinematic Boom (LordSonny, Pixabay), https://pixabay.com/sound-effects/film-special-effects-cinematic-boom-171285/
- 2:23-2:25 Installation of New Public Officials in Milan, Italy; Decoration of the Fifth Army General Officers, Verona, Italy (U.S. Army Signal Corps, 1945; National Archives), https://archive.org/details/111-adc-4462
- 2:25-2:27 New Guinea [etc.] (1942; National Archives), https://archive.org/details/ARC_38929
- 2:27-2:29 Animals in the Service of Man, Part II (United Specialists, Inc.; Prelinger Archives), https://archive.org/details/animals_in_the_service_of_man_2
- 2:29-2:31 The Spanish Earth, reel 6 (Joris Ivens, 1937; National Archives), https://archive.org/details/gov.archives.arc.5717241.6
- 2:31-2:33 The Twentieth Century with Walter Cronkite: "Stalingrad" (CBS), https://archive.org/details/uncommon-ephemera-vhs-V375-6
- 2:33-2:34 Free Vote for France [etc.] (1945; National Archives), https://archive.org/details/gov.archives.arc.39170
- 2:34-2:36 Campaign in Sicily (U.S. Department of Defense, 1948), https://archive.org/details/gov.dod.dimoc.20341
- 2:39-2:54 The Big Picture: Battle of Manila (U.S. Army; Periscope Film archive), https://archive.org/details/89304-the-big-picture-battle-manilla-vwr
- 2:48-2:52 Typewriter_Sequence_Fast.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 2:52-2:53 Typewriter_Spacebar_6.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 2:59, 3:37-3:38 Riser_Short_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 2:59-3:04 Allinsure, "Vintage Background Video ... Sunburst Retro Style" (YouTube, 2021), https://www.youtube.com/watch?v=_2TlBoOF0Dg
- 2:59-3:01 TR707 Crash Cymbal (11325622, Pixabay), https://pixabay.com/sound-effects/musical-tr707-crash-cymbal-241376/
- 3:03-3:08 NATO Today (Periscope Film archive), https://archive.org/details/27610HDNATOToday
- 3:10-3:13 Nine from Little Rock (U.S. Information Agency, 1964; National Archives), https://archive.org/details/306-5160_Restored
- 3:12-3:13 Slide_01.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 3:13-3:14 The Germany of Today (International Film Bureau, 1967), https://archive.org/details/thegermanyoftoday
- 3:13 Slide_Fast_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 3:13-3:22 Projector sound 2 (freesound_community, Pixabay), https://pixabay.com/sound-effects/technology-projector-sound-2-33324/
- 3:14-3:16 World's Fair Report with Lowell Thomas (John Campbell Films, 1961), https://archive.org/details/6133_Worlds_Fair_Report_with_Lowell_Thomas_00_01_00_00
- 3:16-3:18 The Sound of a Million (Calvin Company; Prelinger Archives), https://archive.org/details/202086_The_Sound_Of_A_Million
- 3:18-3:22 Left Brain, Right Brain (Canadian Broadcasting Corporation, 1979), https://archive.org/details/leftbrainrightbrain
- 3:22-3:23 Bell_Jingle_Magic_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 3:22-3:25 The Big Picture: What Makes a General (U.S. Army; National Archives), https://archive.org/details/gov.archives.arc.2569649
- 3:22, 3:26-3:28 The Nurse Practitioner (Southerby Productions, 1978), https://archive.org/details/TheNursePractitioner
- 3:22-3:23 Muscle: Dynamics of Contraction (Encyclopaedia Britannica Educational Corp., 1969), https://archive.org/details/muscledynamicsofcontraction
- 3:23 Where the Bankers Bank (Federal Reserve Bank of St. Louis, 1989), https://archive.org/details/gov.frb.stlouis.fr-36-f
- 3:23-3:24 Elaine Dart: Not Like Other People (Visual Transit Authority / Brigham Young University, 1976), https://archive.org/details/elainedartnotlikeotherpeople
- 3:24 Check It Out (Agency for Instructional Television, 1983), https://archive.org/details/checkitout_201705
- 3:24-3:25 NASA SCI Files: Triangulation Activity (NASA Langley Research Center, 2002), https://archive.org/details/NasaSciFiles-TriangulationActivity
- 3:25-3:27 NASA CONNECT: Having a Solar Blast! (NASA Langley Research Center, 2002), https://archive.org/details/nasa_connect_7_having_a_solar_blast
- 3:25-3:28 Your Town (Visualscope Inc. / American Bankers Association, 1966), https://archive.org/details/YourTown_201706
- 3:26-3:28 A New Year's Card from Israel (Hadassah Women's Zionist Organization, 1966; Periscope Film archive), https://archive.org/details/8ubH1UPdecK7CrXHYKy3qm2EkEM22p
- 3:26-3:29 Bombs Will Make the Rainbow Break (Zahm/Hurwitz Productions, 1982), https://archive.org/details/bombswillmaketherainbowbreak
- 3:27-3:29 NASA CONNECT: Scale Model Activity (NASA Langley Research Center, 2004), https://archive.org/details/NasaConnect-Vt-ScaleModelActivity
- 3:27-3:29 A Place of Dreams: The National Air and Space Museum (Learning Corporation of America, 1980), https://archive.org/details/aplaceofdreamsthenationalairandspacemuseum
- 3:27-3:29 Simulated Role II Facility at NMCP (U.S. Naval Medical Center Portsmouth, 2026), https://archive.org/details/26-0003-174-dod-111823170
- 3:27-3:29 Methodology: The Psychologist and the Experiment (CRM/McGraw-Hill Films, 1975), https://archive.org/details/methodologythepsychologistandtheexperiment
- 3:27-3:29 From Cradle to Classroom, Part 1, https://archive.org/details/fromcraddletoclassroompart1
- 3:55-3:58 Thought_Sad.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 3:59-4:01 Idea_Whimsical.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:03-4:05 human_male_sad.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:09-4:11 Ding_01.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:12 Bite_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:12-4:13 2_murmur_medium_group.wav (source not identified), source not identified
- 4:13-4:15, 4:24-4:25 Puff_Dissapear_05.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:18, 4:22 Fast_Flips_01.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:22 Crsnred_s7002_snare_12.wav (source not identified), source not identified
- 4:24-4:25 Crsnred_s7002_snare_16.wav (source not identified), source not identified
- 4:48-4:50 Puff_Dissapear_04.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:52-4:53 Fast_Flips_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 4:55-4:56 cloth_fast_whoosh_9.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:13-5:17 Appear_Magical_Harp_02.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:15 Pop_High_01.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:16-5:18 Shatter_Magical.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:16-5:17 Beginning of Trials against German Doctors, Nuremberg (1947; National Archives), https://archive.org/details/gov.archives.arc.23843
- 5:16-5:19 Explosion_Close.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:17-5:19 Signing of Unconditional Surrender (U.S. Army Signal Corps, 1945; National Archives), https://archive.org/details/111-adc-9759
- 5:19 Impact_ClapperBoard_01.wav, from Motion Sound Vol. 1 (MotionSound.io), https://motionsound.io/
- 5:21-5:31 Operation Mincemeat, dir. John Madden (See-Saw Films, 2021), https://www.imdb.com/title/tt1879016/
- 5:52-6:00 Heavy Footsteps Walking (freesound_community, Pixabay), https://pixabay.com/sound-effects/household-heavy-footsteps-walking-35722/
- 5:57-5:59 "Dromon medieval ship" by Mitro123, CC BY 4.0, via Sketchfab, https://sketchfab.com/3d-models/dromon-medieval-ship-740f6d7c5e92476f98d5507ab8422b4c
- 5:58-6:07 Gentle drizzle (DRAGON-STUDIO, Pixabay), https://pixabay.com/sound-effects/nature-gentle-drizzle-584716/
- 5:59-6:05 Sound of Rain on a Tin Roof (Mollyroselee, Pixabay), https://pixabay.com/sound-effects/nature-sound-of-rain-on-a-tin-roof-426385/
- 5:59-6:00 "Low poly Castle Gate" by marianaordalc, CC BY 4.0, via Sketchfab, https://sketchfab.com/3d-models/low-poly-castle-gate-8ef971558a1245139f95e816a8a0fe08
- 6:00-6:04 Metal warehouse door opened with chains (freesound_community, Pixabay), https://pixabay.com/sound-effects/film-special-effects-metal-warehouse-door-opened-with-chains-100823/
- 6:07-6:12 History in 3D, "Ancient Rome in 3D - Detailed virtual reconstruction" (YouTube, 2023), https://www.youtube.com/watch?v=EmMmuonCXbI
- 6:12-6:29 CIREVE / Université de Caen (Plan de Rome), "Le Capitole : la colline sacrée de Rome" (YouTube, 2021), https://www.youtube.com/watch?v=7CSjt8-0pSE
- 6:50-6:55 Naruto, episode 87, "Keep on Training: Pop Goes the Water Balloon!" (Studio Pierrot, 2004), https://naruto.fandom.com/wiki/Keep_on_Training:_Pop_Goes_the_Water_Balloon!
- 7:01-7:03 VHS Static Riser (jvashko, SampleFocus), https://samplefocus.com/samples/vhs-static-riser
Music
- 0:00-0:29, 7:00-8:15 Keith Mansfield, Futureworld
- 0:29-0:47 Synaulia, Pavor
- 0:48-1:16 Synaulia, Mare nostrum
- 1:16-1:57 Michael Levy, Ancient Greek Musical Fragment (Poem. Mor 1, 11f. Migne 37, 523 - Arranged For Replica Lyre)
- 2:00-2:59 Blue Dot Sessions, Velejo
- 2:59-3:38 The Tommy Dorsey Orchestra starring Warren Covington, Tea for Two Cha Cha (Decca, 1958)
- 3:37-6:12 Blue Dot Sessions, Gutter on Brindell
- 6:06-7:03 Blue Dot Sessions, Still Nite
Notes
- 0:35-0:38 The Carthaginians took Regulus prisoner after his second consulship (Cicero, De Officiis 3.99). At that time, Rome had two consuls, whence "co-head" of state.
- 1:38-1:44 Homer's Cyclopes live apart (Odyssey 9.112-15), but near enough that Polyphemus's neighbors could hear him (9.399-402).
- 2:28-2:35 The Operation planners expected "any papers, or at least copies of them" to reach the Germans through the German agent at Huelva (Montagu, The Man Who Never Was). Spanish officials sent the papers to the Abwehr (German military intelligence) who copied them and returned returned them to the British resealed (Macintyre, chs. 16-17).
- 2:42-2:45 Montagu kept the identity secret until his death in 1985. The name "Glyndwr Michael" was discovered only through later research by Roger Morgan, as told by Macintyre (ch. 24, "Aftermath").
- 3:10-3:29, 4:55-5:04 Schelling conducted an informal poll and said that "a lot of the people to whom I sent the questionnaire were students" at Yale (Steelman interview); his book calls this "an unscientific sample" in New Haven. Respondents opted to meet at Grand Central Station "an absolute majority" of the time (Strategy of Conflict, 55). Their informal responses were replicated in the 1990s under controlled experimental conditions with monetary incentives: Judith Mehta, Chris Starmer, and Robert Sugden, "The Nature of Salience: An Experimental Investigation of Pure Coordination Games," American Economic Review 84, no. 3 (1994): 658-73, https://research-portal.uea.ac.uk/en/publications/the-nature-of-salience-an-experimental-investigation-of-pure-coor.
- 4:10-4:17 The Joseph E. Levine Foundation ran the Olson House "as a gallery" for two summers around 1970 (Farnsworth Art Museum). In Final Cut (22), Levine had bought it to preserve it as a national monument.
- 4:20-4:26 It is entirely uncertain when Wyeth began receiving letters; this timeline given is my poetic embellishment. Wyeth is quoted as having received "at least a letter a week from all over the world" is his account as of 1965 (Life).
- 4:30-4:35 Christina Olson's condition was never firmly diagnosed. The MoMA calls it "a degenerative muscle condition - possibly polio."
- 4:37-4:45 The Levine meeting is known only from Sylbert's own memoir (Final Cut, 21-25). The "gone crazy" remark was made by Embassy executive Bob Weston on leaving the room.
- 5:51-6:06 Regulus's embassy and return are a Roman legend. Polybius (1.25-35) offers the earliest surviving account and ends his story with the capture in 255 BCE; the oath, the speech to the Senate and the torture come from later Roman writers, chiefly Cicero (De Officiis 3.99-100) and Horace (Odes 3.5). Scholars disagree whether the absence of the anecdote in Polybius means the episode was invented (Lisa Feldkamp, "Exemplum Fidei: Marcus Atilius Regulus as a Moral Exemplum" [MA thesis, University of Kansas, 2007], 1-2).
- 6:06-6:11, 6:25-6:31 It is uncertain whether the temple of Fides existed when Marcus addressed the Senate. It was dedicated by A. Atilius Calatinus in 254 or 250 BCE (Platner and Ashby, s.v. "Fides, aedes"), and Regulus's embassy, if it happened, is placed after his capture in 255 BCE, traditionally around 250 BCE. The temple was restored and rededicated by M. Aemilius Scaurus in 115 BCE. Cicero, who links Fides "neighbour to Jupiter" to Regulus's oath (De Officiis 3.104), was writing in 44 BCE, two centuries later.
- 6:06-6:11 We do not know the temple's location relative to the Senate meeting house. I infer its position: Platner and Ashby place it "probably inside the area Capitolina, at its south-east corner near the porta Pandana," and the CIREVE 3D model (Madeleine and Fleury, 46:31, 52:44) sets it in front of Jupiter's temple. That makes it south(-east) of Jupiter's temple and roughly south-west of, and uphill from, the Curia at the north side of the Comitium. The Senate, of course, also met in the temples of Jupiter and of Fides themselves. I have again assumed that the Senate's meeting grounds were apart from Jupiter/Fides to show the whole of the capitol visually.
- 6:12-6:17 The tablets on the temple are attested by the storm that tore them off (Julius Obsequens; Cassius Dio, who says they were fixed all around the temple). Platner and Ashby date the storm to 43 BCE and the CIREVE lecture to 45 BCE. Platner and Ashby say the tablets "probably" carried international agreements; the lecture adds military discharge diplomas and dedications by peoples of Asia Minor, mostly of the imperial period.
- 6:22-6:25 The cult statue of Fides is attested by surviving fragments (head, foot and veiled hand, per the CIREVE lecture, 51:10). Its height of about 6 m, its marble-and-bronze material, the cornucopia and the pose are reconstructions by analogy. The 3D model shows the Capitol as it stood in the 4th century CE, not in Regulus's day.
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